3/14/12

Living my life like I'm chosen...

You know that girl who good things always happen to? Yeah, the one in high school who got voted prom queen and valedictorian? The one with the easy smile who had everyone kissing the ground she walked on?

So…

Slowly but surely I’ve risen above comparing myself to others. There’s always going to be someone prettier than me, smarter than me, or who is a better writer than me. I shrug my shoulders and call that life. However what I take from living this life is valuing my own journey. I have been chosen to be a vessel for the voiceless and by all means I want to honor that and appreciate it. Being chosen is a luxury that comes with self-acceptance. A mindful recognition of my own capabilities. My strength.

Years ago I was that child who thought I was too dark to be favored. Too nappy-headed to be called beautiful. Too shy to be acknowledged. Too clumsy to be given tasks. Too awkward to be a part of the in crowd. But now I rise out of myself a phoenix. I don’t look back to mope on what should’ve been, I look back to gain momentum. To push myself forward. To reflect in this light---Its rays warming my skin, sinking into my pores, and awakening something in me. The little girl perhaps who now stretches and yawns like a glorious princess. Her eyes flutter open and she wonders where she is and how she got here. She rips off her old dress and dances naked in the sun, its rays pouring down on her like rain. With outstretched arms and her face toward the sky she skips and rejoices.

You see, I was never chosen for the earthly things. The exclusive groups and whatnot. Yet, as I begin to accept everything about myself I’m beginning to see others gravitate toward my energy. I’m beginning to see doors open up, emails streaming in, strangers stopping to give me second looks, smiling. For this new me walking this earth is living my life like I KNOW I’ve been chosen.

Somewhere in the depths of my prior insecurities I’ve dared reach to find my crown. It still glistens. Good as new. I now wear it like a queen. And everyone is taking notice, including the Almighty.

Nicole

2/27/12

The concept of a “Big woman”

In the Caribbean when people refer to a woman or a man as “Big” it means they’ve matured, their fruits ripe and on display for the community and the world to see. “Big” means you have arrived on that step where adulthood begins. No longer a child. The expectation now is to harvest wisdom from seeds of mistakes. Work hard so that the fruits of your labor come out tasting sweet. And continue that climb up the ladder, sun beating down your back, muscles fatigued, sweat pouring down your face.

Something happens to a person when they turn 30. My birthday was in September and since then 30 has shown me a few things, some of which I'd love to share.

30 has struck me with conviction, reminding me of my mission. The urgency of it.

30 has incited me to look deep within and reach out to the little girl inside, the one I had forgotten about when I used to aim to please others.

30 has given me the strength and confidence to cut toxic people from my life without looking back. Even if they happen to be long time friends. Or blood relatives.

30 has crowned me with an appreciation of my beauty. The beauty I took for granted. The beauty I often used to deny even as women did double takes and men stumbled over their egos to impress.

30 blessed me with a deep love and appreciation for my parents who now look to me for advise, their proud stares obvious when I answer them back with the wisdom they taught me. My successes reminding them of the sacrifices they made.

30 has reinforced my capacity to love and to receive love.

30 has rejuvenated my wanderlust and desire to go on new adventures. Even if it means traveling all over the world. No longer do I wait to think about it. I go.

30 has given me the audacity to do what I’m good at. Writing has always been a part of me and now I dare commit and flourish from it.

30 has allowed me to stand firm in my beliefs as a fighter. But it has also taught me how to acknowledge my emotions and say out loud how I feel so that nothing defeats me.

30 has shaped me into the woman my great-grandmother said I would become. The feisty, intelligent, fearlessly talented woman she concocted with her Maroon blood. The woman I’m still working on.

30 has reassured me that perfection is for gods. But the ability to acknowledge weaknesses and personal limitations with the intention of learning from them, is what makes me a Big Woman.

Nicole

1/1/12

Hello 2012!!!!

In less than a five hours 2011 will be over and 2012 will be here! A big year for many, many reasons. 2011 was the year that I sowed many seeds. I worked diligently, watering them everyday. I sought the right elements to help me nurture them: Great friends. A good mentor. A wonderful support team. My partner. In the last half of the year the seeds started to sprout, rising above the soil toward light. 2012 will be the year when I see them burgeon into dreams.

It's time. It's about to happen. I'm standing on the edge of glory and as the ball drops tonight, I'll be an effervescent firework, ready to light up the world!

Nicole

11/28/11

To Althea, my classmate at St. Andrew High who made me realize something wonderful...

My yearbook pic, Circa 1998

This Thanksgiving I was in a reflective mood. Of course the day says it all “Thanksgiving”. I’ve always been thankful, but for some reason this Thanksgiving took me on an interesting journey. I journeyed along paths that I hadn’t been on in years. Paths that made me realize now how blessed I am. Paths that had faded with life, concealed, colored sepia like old pictures.

It was the image of my high school’s Annual Award Ceremony that stuck with me. Images that were snapped over a decade ago. I was twelve, then thirteen, then fourteen, then fifteen, then sixteen. Five years of images. All superimposed. Prizes and certificates were given to the brightest and most talented students. Although this was Jamaica, I still knew then that it was America’s Thanksgiving Day because I sought escape in cable television. I watched the Macy’s Thanksgiving Parade religiously every year as I ironed my school uniform. The Award Ceremony started at 2pm. I would get there early to line up with my class. All the girls giddy with excitement as if we were preparing for the Academy Awards and were nominated.

Dressed in my pressed uniform, my hair neatly combed, every strand in place, I would watch girls in my class and from different grades go up to take their prizes on stage. The prizes were Best Student, Most Improved, Service, Excellence, etc. None of which I was ever awarded. The girls who were awarded these prizes got to shake the principal’s hand and stood in place to have their pictures snapped. Their shoulder length hair bouncing, loose ironed curls cascading. I watched them happily bounce back to their assigned seating, certificate in hand, smiles on their faces. Their necks acquired a certain tilt, bending their heads backwards, noses up in the air. They were destined for college, destined for top scores on the CXC’s, the A-Levels. They were even destined for the coveted opportunity to take the American exam, the SAT’s where they could apply for colleges like Swarthmore, Wesleyan, Vassar, Middlebury.

"Only girls like that get to go somewhere," said Althea, a fellow average student who sat with me in the back. "We'll never be on their level, so get used to this," she said to me. She kissed her teeth and rolled her eyes. Her words were like a slap in the face. Tears stung my eyes when she said it in response to me telling her that I would love to receive a prize the following year. I had never felt so infuriated, so resentful, so angry, so defeated. Althea must have felt the same.

Of course, I sat at this Award Ceremony every year wondering if I would ever be nominated for a prize. How did the teachers choose the nominees? Year after year I would study hard and do well on exams, yet I never got nominated. Never got a chance to shake the principal’s hand. Never had my picture snapped. Yet, I always showed up. Always had my hair in place, uniform ironed, shoes polished as if I were nominated. It was mandatory that average students show up. It was mandatory that we pretend to show our support by being on our best behavior. It was mandatory that we have smiles pasted to our faces and applause handy for when a lucky classmate, always the same set of girls, gets her award. Maybe Althea was right after all. In the back of my mind I wondered if this was how life would be. Smiles and applause meant for others.

The Macy’s Thanksgiving Parade floated on one year and I was late for the Award Ceremony. By then I had come to the conclusion that I’d never mount to excellence in my school, in my home country for that matter. I’d always be considered average or not good enough. Like Althea I would begin to give up. Begin to accept my fate as a "dunce darky". The British system kicked my ass and my self-esteem to a pulp. I couldn’t even look in the mirror without feeling ugly, because I wasn’t light enough, my hair wasn’t long enough, my parents were working class, I wasn’t smart enough. Just average. So I was late on purpose. Got my first detention because of it. But I didn’t care. At least I got to see the Macy’s Thanksgiving Parade in its entirety. America inspired me.

The day came when I decided not to show up to the Award Ceremony altogether. I was sixteen and fed up. Tired of seeing certain girls get prizes. Tired of being a good sport about it, because deep down something told me I’m great and just as worthy. To this day I can’t tell you where that voice came from, but it incited me to march to my mother and give her an ultimatum. Did I say I was only sixteen? “I will never make it if I stay in this damn country,” I said to her. She looked at me for what seemed like an eternity. I used the word “damn”. She hated when we swear. Yet, it was something else that silenced her. Something else that she saw rising within me. My growing frustration. “OK,” she said very slowly. “I’ll call your father.”

The next day I was called into my mother’s room. I learned that I would never be subjected to another Award Ceremony. I learned that day that I would be migrating to America in the summer to live with my father and start college. I learned that day that my mother had thought long and hard about this. I would finally get a chance to see the Macy’s Thanksgiving Day Parade in real life.

My freshman year of college I reveled in the opportunity of living in a country that doesn’t see me as “average”. My first semester in college I got straight A’s. My second semester I won an academic scholarship. My second year I made the Dean’s List. Four times. Little ‘ole me. The one who never once got nominated in high school for a piece of paper or a handshake that promised to validate my excellence. I was having a ball in college. In college I learned I’m a brilliant writer. Something that I was discouraged from in high school after an English teacher read my college essay and said it was crap. Said the Queen wouldn't be happy with such colloquial terms. Fuck the Queen, I thought. Uhm…excuse me miss, but I got into Cornell University with that letter. Thank you very much.

At my Cornell graduation my mother flew up from Jamaica. She had a certificate in hand. “What’s this?” I asked her. “I forgot to give this to you.” She presented it to me in a large brown envelop. I opened it and read the certificate out loud. “St. Andrew High School for Girls, class 6R, student nominated for academic excellence and service.” I couldn’t believe what I was reading. The certificate was issued a few months after I migrated in June, 1999. My graduation from college was in 2003. Four years had past. Had I gotten it years before when I was in high school, I would’ve probably not felt I needed to migrate to America to be validated. To have my gifts be recognized. But I did. And I’m glad I did. I didn't get a certificate then, yet I pushed forward. I achieved what I set out to achieve because deep down I knew I could. I learned in the process that no one or nothing can make me feel worthy but me. I may not have been nominated for excellence in high school, or felt I couldn't accomplish anything; but God worked it out that today, at this very moment, I am blessed. And have accomplished a lot. So far. For this I give thanks.

If Althea could see me now. I would give her a hug. I would say to her girl, thank you. "Only girls like that get to go somewhere," Althea had said to me then. But I would let her know now that she is worthy to succeed. That she has always been that girl. Worthy.Me today, Circa November 24, 2011

Nicole

11/2/11

Status Writers vs. Contract Writers...What's the use of these terms when all I wanna do is write?

"What good do your words do, if they can't understand you?" Erykah Badu

I was ruminating on this thought as I write. I just read an essay by Jonathon Franzen who was adamant about making a differentiation between a "contract writer" and a "status writer". A "status writer", he says, is a person who writes with no intention of being understood by a certain group of readers; a person who seeks to build his/her reputation among the elites by indulging in literary masturbation and leaving readers behind in the dust. While a "contract writer" on the other hand is a writer who is invested in engaging the reader; someone who is passionate about reaching at least one soul because they have something to say.

But the implicit question here is, who gets published? Who determines what's art? Who are the people who decide? Is it the masses or the suits behind sliding glass doors overlooking fifth avenue and Central Park? Is it Granta or your local newspaper? Is it the New Yorker or The Mississippi Review? Is it your mother or the head of Random House? Is it the women in your church or the men with thick glasses who shop at vintage stores, read the New Yorker, and ride their bikes across the Williamsburg bridge? Clearly, if you can reach both the church women and the academic liberals, then that means you're a good writer who should not be labeled or put inside a box. As a writer, you also have to know who your audience is. For example, whenever I turn on my computer to write, I picture that brown lesbian girl in Jamaica or here in Brooklyn who I'd want to read my book, a version of myself that never had the opportunity to read work by lesbian authors of color about lesbians of color, which had nothing to do with threesomes, sex, and more sex. I'd also like the homophobic Christian to pick my book up and identify with some of the emotions and turmoils queer individuals go through. That we're not about parades with half-naked people running around in the streets, but human beings with souls.

In my opinion, art isn't art if it doesn't touch the souls of individuals. There must be something humanistic about our art/writing that speaks to the reader, whether he dresses in a suit everyday or jeans and t-shirt. It doesn't matter. Also, I don't believe that one should put themselves in either categories of status versus contract, because in my opinion we have the ability to merge the two. For example, Toni Morrison is a writer who appeals to the elites and the masses. How does she do that? Well, she writes from the heart. She writes from a place within that pulls from her experiences with people and with herself.

As people, we're complex beings. So complex that not even our mothers who have known us since birth can label us if they should try. Because as individuals, we're still learning about ourselves, all the different elements, shades, that make us unique. So it is with this understanding, I believe, that a writer who is successful in touching the hearts and souls of readers draw from. As readers you're allowed to become voyeurs into the lives of these strange individuals who are not so strange when you begin to see yourself, people you may know, or think you know. So, back to the initial argument: "Contract" versus "Status" writer isn't a valid judgment for Jonathon Franzen to make given that at any given point people can be who they want to be, depending on the height of their career, the pressure to live up to labels, the need for affirmation, the lust for fame.

But the person (writer) who is most affected by all this smoke is the person (writer) who is forgetting one important thing: The readers.

As my favorite artist of all time, the great Erykah Badu says: "What good do your words do, if they can't understand you?" And I shall add, what good do your words do, if people can't understand you and IDENTIFY?

Nicole © 2011

10/12/11

Hey World!

Wow...I haven't been on here for a while! So much has been happening that by the time I actually get to sit down to write, I'm busy crunking out my novel and not a blog. I told you at the beginning of 2011 that this is the year that I'll be planting seeds. And I shall proudly announce that those seeds are beginning to germinate. I see signs of life sprouting from them, reaching toward an eternal sunshine. I'm loving what I do and living life blissfully surrounded by wonderful and supportive friends and family and partner.

Things are beginning to pick up. I got a lovely writing mentor in the bag. A gift from God. An angel. I got my work cut out for me. Networking like crazy. Writing like crazy. And like Jean-Michel Basquiat, I come up for air only to hang with the people most dear to me, have a drink with them, break bread, dance, pick apples. Then go back to my hole to write some more. For my 30th birthday....yes, I turned 30!!!...my partner surprised me with a literary themed celebration. A surprise birthday party followed where all my lovey-doves came out to wish me well. I was Zora Neale Hurston for my birthday month. And I felt her spirit every step of the way as I toasted to a new chapter. We stayed at the Harlem Renaissance House and had Harlem nights out. Talk about a sign!

Did I mention I'm also planning a "big event" next year? *wink* Yes...and the wheel keeps turning. But I'm balancing real well. It's super exciting. 2012 will be a big year. Gigantic. So gigantic that on New Years Eve I'm planning to wear a tutu and a pair of ballet shoes at the party, set to take a leap into the new year. I'll be the one twirling on the dance floor. Giving thanks.

In the meantime I'm enjoying myself. I tell anyone who asks how I'm doing that I'm "wrIting hard". And I mean every word of it. In the past when I used to say "working hard" it was only to make conversation. To shrug a perfunctory question off with a perfunctory answer. But "Writing hard" as opposed to "working hard" means that I'm enjoying every bit of the process. I feel more connected to myself, my characters and others. Like James Baldwin who's friends used to ask him how his characters are doing since he thought of them so often, my close friends are beginning to ask me how my characters doing, because they know that's all I think about. I sip my cup of coffee and open the morning paper and my partner ruefully asks "So, how's E today?" I meet my friend for brunch and she wants to know what another character is up to. I love it! I'm existing boldly as a "coooky", quirky writer with all these characters inside my head who my loved ones know about.

NEEEE-WAY...(in Ellen Degenerous' voice)...I may not be good with the blogging thing while I'm working. But I'll drop by to wave hello every now and again. So many issues to discuss...Like Occupying Wall Street! Fight the power!

Until then, see you soon!

Best,

Nicole

7/19/11

Writing and magic (Hurston/Wright Writers Workshop)

Whenever I tried to write about my past couple days at Hurston/Wright Writers Workshop, I would put down my pen and reflect some more. The words wouldn’t come, at least not yet. It was so sacred, those moments of truth when my soul opened up to embrace my characters, embrace the reality of my immediate transformation as a writer. I was reminded last week that I’m a writer who’s supposed to see the world for what it is and beyond, including the people I write about.

Not often do they come to me naked and raw while staring at a reflection of myself in a mirror, wondering, marveling. Vulnerable and ashamed, I sometimes look away, delete them from my presence with the click of my mouse or a line drawn with my pen; cloak them with unnecessary adjectives. “They were there all along, you were just too afraid of them”, Marita Golden, my Hurston/Wright instructor, and acclaimed author of Don't Play in the Sun, After, and The Word-Black Writers Talk About The Transformative Power of Reading And Writing, said in one of her critiques. She challenged me to dig deeper, getting my fingers dirtied with the soil under which memories, emotions, and experiences are buried, some of them still alive and well. Like severed tails of lizards they dance about with their own lives independent of the dead carcass of doubt from which they came.

“Tell me your story, grandma,” I remembered asking as a little girl, fascinated by my grandmother’s tall tales about rolling calves and duppy in the country. This was before I realized that the universe conspires in mysterious ways to have me re-tell those same stories my ancestors told. My stories may not be about rolling calves and duppies, but about the secrets that lurk behind the darkest shadows of my ancestors’ pasts, secrets too restless to be laid to rest in coffins, secrets that wait till moonlight to run free among the cane fields and float above the river, secrets that some may call myal while others call relentless truths. This explains why many of the women in the workshop had eerily resonating themes as if we were there answering to the call of congo drums at a ritual where we are bequeathed our stories, bowing our heads to accept our crowns as griots. "Write from your heart, not your head until it’s time to edit," Marita said.

Writing from the heart. What exactly does that mean? Marita Golden was able to break it down in workshop, pulling apart intricate metaphors, beautiful language and ambitious plots with discerning tweezers to find depth in a character. What is this character’s biggest secret? What’s his/her motivation to do such a thing? What was his/her journey? In other words, are we listening to our characters or are we forcing them onto the page, crowding them with our own desires and expectations, fearing that our readers may make assumptions about us? A character is what makes the plot. Most workshops I’ve been in have focused on plot, but convincing the reader to care deeply about a character is magic within itself—--kind of like a spirit that has never been seen but is felt.

Thanks to Marita Golden and the supportive workshop in which my work was carefully critiqued, I was able to walk away feeling inspired after rigorously re-working my story, developing characters, and most importantly finding the courage to attack the page without fear. I walked away with a novel and a community of writers of color, extremely talented women warriors with great stories to tell. God must have answered my prayers when I had written in a previous blog how much I need a mentor and a strong community of writing pals, for I was granted this favor and much more.


The Furious Flowers serenade Marita Golden on our last day. Hurston/Wright Writers Workshop 2011, Howard University.

Nicole